Paper gets forgotten. Like memories. All those notable days, those remarkable moments, get piled and boxed and stored in cupboards and attics. They gather dust if they aren’t given the chance to live again. I’ve been scribbling down my thoughts and experiences since I was nineteen. They now burden me. They want a second life. I want a second life. I truly want to live those things again. I want to make my words real. I want Elena and Élise to walk hand in hand with me again. One more time. So, here’s my life in its writtenness. Presented as it should be. Not as the fragments of memory I’ve been left with. Fragments that, on bad days, make no sense. But as the story I actually lived. Without ever realising it.  

Elena’s End of Dying.

Sister Clara looked stunning. Elena was hunched forward in her wheelchair. She was wearing the old grey, down-filled coat we brought twelve years ago when we went skiing in Méribel. Her hair had been brushed and a small pomponette daisy placed amongst the curls. She’s what’s left of us now. A bag of bones. Life has been cruel. I’ve been given a few more pages to write upon. Elena hasn’t. We had always wanted to go to Zürich. Suddenly we were there, between the station and the museum – between Journey and artefact. It seems odd that we’ve finally said goodbye.

 “So this is the end,” Elena muttered sadly as she looked into my eyes. Sister Clara will sit with her until the end. “I’m jealous,” Elena said. “But I’m glad it’s me in this chair and not you. You would never have coped and I would have been a wreck.”

A large white butterfly fluttered about Elena’s head until settling on the daisy. We all remained silent and motionless as if a prayer was being said. If there had been any doubts in Elena’s mind they would have gone at that point. She would have seen the butterfly as a sign that it was time to go.

Elena smiled. Her eyes filled with tears but she held them back. Sister Clara did not. “We’ve said all we need to say, haven’t we? You’ll be alright, both of you. Clara will return to the convent until she’s assigned to some other forgotten soul. For that I’ve written her a good reference. Remember our holiday in Méribel when you think about me. I was happiest there. Do what you want with my ashes but maybe…” Elena stopped and then looked across at the station. “That’s enough. You have a train to catch and I have an appointment with a needle.”

I said nothing. I stood there mute. “I’d like to kiss you.” I whispered. “I know we said we wouldn’t.” I knelt on the ground next to her. The hard tarmac was warm and felt strangely comforting. “We’ll miss the place that’s you. I’ll miss your eyes watching me. Clara will miss being told how to do your housework.”

“I’m sorry,” said Elena. “And I thank you. Truly. Now, when we’ve kissed you must go. Say nothing. See nothing. Close your eyes as our lips touch and remember only my taste for as long as you can.”

We kissed.

She touched my cheek with her warm hand. “Good luck with tomorrow,” she said.

From the station I messaged Emilia and Leo and told them that their mum was on the tram to Forch. They were planning to walk to the abbey to sit and pray at this point. They had wanted to be with her but Elena wanted to do the journey alone.

Nina must be feeling very alone.

The world has become less opaque. But my soul is heavy.

I’m on the train to Geneva. I’m sitting next to a woman with a green, crocodile skin handbag. It’s maybe fake, but I wonder how many handbags you can get from one crocodile? Elena would have scorned at the woman. Emilia too. Leo would point out that a crocodile would probably get three meals out of a single human. We’d all laugh. The woman would move to another seat. She’s attractive. She’s wearing a deep-red cardigan and a short skirt. Her legs are covered in black nylon. She has her own way of coping with being alive.

“Humans are meaning makers. Ironically, our presence is meaningless.” Elena said that last week at the hotel over breakfast. She began to lose her faith when she became ill. She lost her faith when she was diagnosed with multiple sclerosis. It was hanging by a thread anyway. Her loss of faith was my fault. I used to say: “Have faith in life and faith in God will follow.”

I’m writing all this down for you.

You are the reader.

In Méribel Between Elena’s Legs

11 February 2011

Composition Notebook 2

How wonderful.

I can see mountains, blue sky and a busy ski lift. I can also see people laughing as they travel upwards. The bedroom is warm, cosy and I’m particularly happy that my head is resting between Elena’s legs. I can feel her prickly pubic hair on the back of my neck.

It was Elena’s idea, that I take my notetaking seriously. She gave me this book of pages – a copy of the very first notebook I stole from work. “Why seriously?” I asked. “It doesn’t matter,” she said. “Just write.” So, I’m writing. Between Elena’s legs.

As always, the words are mine. Words are the empty shells of our thoughts. “I have your body and sound. Notebooks have your scribble.” Elena said this as we stood at the counter of the stationary store. “Make these pages your secret place,” she said holding up the notebook. “Be careful who you let in to read it.”

I have the feeling Elena will never want to be let in. She has her own world. She wants me to have my own. MY OWN WORLD. A secret place. Notetaking has become a habit. A place where my brain goes to relieve itself of the burden of thought.

“Be careful who you let in to read it.” I want to be read. I want keep the door to my secret place slightly ajar. I want to be seen.

Three winter flies are buzzing at the window. They’ll regret waking this early. Elena will get annoyed soon and tell me to open the window and let them out. I’m comfy. I’m too comfy. In three days we’ll be back home. In four days we’ll be nailed to our routine again. She used to like editing. She loved the whole publishing process. Not anymore.

I don’t work.

I could work now that Leo’s five and goes to school. “You could write a novel.” I’m married to an editor for goodness sake. “Pick a genre and go with it.” A romance? Now, that would make Elena laugh. She suggested science fiction. Should I lay a path of empty shells? It would be like renting your bedroom out to a lodger. They’d likely hang pictures where pictures shouldn’t be hung. They’d likely paint the walls in colours that aren’t right. They’d likely do things in your bedroom that shouldn’t be done.

She’s ignoring the flies.

She wants me to write. She knows how much I need to be between her legs. If she sees my pen move across the page, she’ll let me stay. She’ll ignore the flies and the kids arguing in the other bedroom.

They’ve stopped.

The kids not the flies. Emilia has regained control.

We’ve promised them fondu tonight so they really are making an effort. This has so far been a wonderful holiday. I’m naked. Except for my socks. This is the day I began taking my writing seriously with nothing on but warm feet.

I want to be read. God, angels, lovers. Who am I picturing reading this?

Someone’s there – but I don’t know who.

Empty in The Refectory Café

3 January 2019

Composition Notebook 4

I don’t swear very often. I never swear out loud. I’d like to swear out loud. Now. But I won’t. I’ll just write SHIT on this page. What the SHIT! Elena’s in bed. I’m in a The Refectory Café drinking latte and looking at a slice of carrot cake I have no appetite for. Nina’s in a police cell. Daddy’s girl. (Elena’s term not mine). 

I joked sarcastically, when Elena collapsed getting out of bed. “It wasn’t that good,” I said. She looked so ill when I helped her up. Shock? Is it normal that you fuck after hearing your daughter has been arrested for murder. Fuck is also my wife’s term.

An argument some time ago: “Is it love making? As an editor I’d suggest you call it fucking. Or resetting your psyche. It’s about joining genes. It’s about emptying your cache.”

Nina says that love is made when we see the other for who we are. She was fifteen when she said that – I’ve probably told you that before. You? There’s a small crowd of YOU now. I have an ever-growing pile of assorted notebooks and a small crowd of imaginary readers. You’re all female. Except Tom.

Back to the SHIT!

2019 has not started well. The café is busy. According to the two policemen who came to the house yesterday afternoon, Nina pushed her boyfriend off a cliff near St Bees. She’d sent me some pictures of early morning frost that had decorated the garden at the cottage where they’ve been staying. There was one lovely picture of gull-prints and a piece of bread. Apparently a couple saw them walking close to the edge when Nina supposedly turned to Michael, shouted and pushed him over the edge.

Her temper changes so fast.

Elena hasn’t been feeling well for a while. Christmas was muted. I haven’t actually  calculated this but I have the feeling that there are, at least, 100 days between each of our love-making sessions. When they happen they don’t last for long. “Marriage isn’t about sex, it’s about sharing a life.” I agree. I AGREE. I do.

Pragma. Love without the extras.

I need to get back to her. Dr Grey is coming this afternoon. Elena’s angry. “Go to the café.” Nina sent me a short video of a blackbird singing last night. She loves nature so much. I hate to think of her in a cell. Elena loves doing things. I hate to think of her ill in bed. Emilia is meeting me at the café. I hate to think what she’ll have to say.

Scroll to Top